Warhol Essays - Andy Warhol, Pop Art, The Velvet Underground

Warhol The life and work of Andy Warhol has inspired many writers to tell of the artist's secrets in published writings. However, Carter Ratcliff accomplishes this feat in a unique fashion, profiling Warhol's work in Andy Warhol. A must-read for anybody interested in the origins of American Pop art, Ratcliff's book touches on all aspects of Warhol's work. Segmented chronologically, Ratcliff explains the influence and significance of select paintings, as well as sections devoted to Warhol's sketches, photographs, movies and notes on the techniques used by the artist. This format, combined with the inclusion of nearly 100 prints of paintings, is effective because a natural theme flows through the chronological ordering of the monograph. Some of the influences are obvious in Warhol's work. However, the cumulative effect of the artist's attempts is more easily understood through the chronological ordering of the pieces. The chronological ordering helps the reader understand what social or personal beliefs or conflicts the artist was dealing with pertaining to the given time period. For example, Warhol produced many pieces with singular subject matter displayed multiple times as in his Campbell's soup cans, Coca-Cola bottles and dollar signs, possibly just comforting symbols to Warhol as well as the American Pop Culture. Also, Ratcliff leads the reader on a journey through the details, effects and consequences of the work. The author also describes similarities in select Warhol pieces. The development of Warhol as an artist is easily understood using this format, as his work transforms from the playful character of Saturday's Popeye (Figure 1) to the realism of Skull or the political power of the Hammer and Sickle series. Andy Warhol takes a convincing and comprehensive look at the pursuits of the artist, basing observations on a plethora of sources. The information cited in each section is a cumulation of Ratcliff's investigation, interviews with Warhol and references to the writings of other critics. Basing his survey largely in the ideas of others, Ratcliff discovers little original information. Referring to such credible contacts as Robert Rosenblume's description of Julia Warhola [1], saying that Warhol's portrait of his mother breaks through the artists "aestheticism" to convincing emotion (Figure 2). Art critic Thomas Lawson's notion that Pop art has everything to do with nothing [2], or Warhol's own magazine article, Crazy Golden Slippers [3], are examples of the type of solid sources that the author utilizes in his work. The majority of Ratcliff's ideas originate elsewhere, however Ratcliff chose to use these many sources to support his own theories, drawing from established and accepted concepts to uphold his statements. The prize of Andy Warhol lies in the inclusion of the author's essay about the artist. Together with the effect of the many large prints, which comprise a majority of the body of the book, the essay enables the reader to learn about the artist and reflect on what may have been his intention for select works. To fully understand a work of art it is helpful to have some background information about the work and the artist. The author does a fantastic job of presenting this type information about the artist and his work. Warhol was obsessed with the idea of stardom, controversial works pertaining to popular culture and the use of images from every day life or symbols of such. Ratcliff, when compared to other writers who investigated Warhol, has an edge on the competition. Ratcliff not only describes the work itself, but also tells of the concept behind the art. Cantz' The Last Supper is at best a glorified picture show of the artist's work. The artist focuses on one series of paintings rather then on the entire portfolio.[4] Unseen Warhol is an in depth biography of Andy Warhol, not much attention is granted to the actual pieces of art.[5] Ratcliff's Andy Warhol fills the gap left by other writers. Ratcliff delivers a complete analysis of Warhol's work by explaining the concepts and ideas surrounding the work in an intensive manner. Ratcliff's thoughts on many of the pieces help to define the actual meaning or ideas of the work in a practical fashion. For example, the use of helium filled mylar, covered with foil in Silver Pillows (Figure 3) served as a way of making his paintings on the wall come to life and float away.[6] Drawing comparisons from the periods of Pre-Pop art, Pop art, and Post-Pop art, Ratcliff attempts to classify Warhol's work in Andy Warhol. Commercial art including the title page for In The Bottom of My Garden, album jackets commissioned by RCA, book jackets for New Directions and Warhol's

Huck Finn Essays (568 words) - Picaresque Novels, Huckleberry Finn

Huck Finn Essays (568 words) - Picaresque Novels, Huckleberry Finn Huck Finn In the book, The Adventures of Huckleberry Finn, Huck rejects sivilized life. He dreads the rules and conformities of society such as religion, school, and anything else that will eventually make him civilized. He feels cramped in his new surroundings at the Widow Douglass house. He would rather be in his old rags and sugar-hogshead because he was free and satisfied. He felt out of place when he tried being sivilized because he grew up fending for himself and to him it felt really lonely. Huck Finn grew up living in the woods and pretty much raised himself because his pap was a drunk. He never had a civilized lifestyle and he believed that his way of living was good enough for him. He was free to do what ever he liked and that is how he learned to live. He did not believe in school because all you need to know to live is not found in a book that you read at school. He believed that you learned by living out in the wild. Huck would rather be an individual than conform to society. Huck would rather follow his heart then his head and because of this Huck is ruled as a bad person because in society your suppose to use your head. Huck is being penalized for his beliefs and he does not want to be apart of a lifestyle that does not support his ways. For instance his choice not to turn in Jim shows that Huck understands why Jim is escaping. Huck sees Jim as a friend not as a slave and so he truly is able to see that societys way of treaty Jim is wrong. Huck is portrayed as a boy who sees life at face value and not by the set standards of the sivilized society. The rejection of the sivilized lifestyles shows that Huck does not agree with it rules. Because of this, he is able to see life from different perspectives. He can sympathize with all the class in society. He learns to figure out what is morally correct and wrong. Through out his journey down the river, Huck is able to learn more about himself and others. His adventures has taught him more than he will ever learn just by reading books. Huck is able to live a great life just by reacting to situations as they come along. Huck is better off not living a sivilized lifestyle because that is how he learns. Hucks rejection of a sivilized life can be seen as being rebellious, but as you read more and more about Hucks adventures, you come to the realization that this has helped Huck to become a well rounded person. Huck is a practical and realistic person who grows more and more as he deals with every situation he is put in, but during his time, it was not right for a child to be on his own because they are too young to know anything and they need guidance through school and religion. Even though Huck is young, he has learned a lot by reading and by self-study. Huck believes in being free so he can able to adjust to situations rather than living a set life. Huck learns without the help of school and other forms that will eventually make him sivilizedand he intends to keep it that way and therefore he runs away from the sivilized society. Huck learns from his actions and mistakes and not from others and that is how he grows mentally and physically. Bibliography running away from sivilized society